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	<title>S-duction Tuition</title>
	<link>http://www.seductiontuition.com/</link>
	<description>Latest Articles by S-duction Tuition</description>
	<language>en</language>
	<pubDate>Sun, 23 Aug 2009 23:25:15 +0000</pubDate>
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	<ttl>1440</ttl>
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		<title>Distractors</title>
		<link>http://www.seductiontuition.com/dahunter/pua-distractors/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/dahunter/"><strong> DaHunter </strong></a></p><p>It's a fact that when you want something from a woman it will automatically sub-communicate lower value and that you need her. Here is a very handy and easy technique I use whenever I'm getting something from a woman.</p>
<p>To solve this problem we use distractors whenever we want to get something from a woman. This is something I use in phone game and text message game especially. So let's say your goal is to get her to come out with you. The average guy will say:</p>
<ul>
<li>"Hey let's go out."</li>
<li>"We should hang out."</li>
<li>"Come with me to X."</li>
</ul>
<p>And the thing is, all of these are okay, except that you need to add a distractor afterwards. No woman wants to say "yes" without adding more to the sentence because it will make her feel uncomfortable (bad comfort game). So, we want to add something and make it like this: </p>
<ul>
<li>"Hey, let's go out, but you gotta buy me a present; I'm high maintenance."</li>
<li>"We should hang out. I'm at the gym right now so I can only hang out after 8."</li>

<li>"Come with me to X. Just so you know, if you're friends with me you have to love white wine, otherwise we wouldn't be able to hang out."</li>
</ul>
<p>This takes away the pressure of saying yes, and she can even deny the distractor but still agree to the activity. "Oh no, I'm not buying you a present; I'm broke" means she can still say no to something in the sentence and say yes to the real purpose.</p>
<p>The same theory applies when you say something like "I like you." That can make a woman uncomfortable, but if you add "too bad you're such a dork" to it, it becomes easier for her to respond because it's not so serious or heavy. Remember, we want to stay away from heavy vibes and be playful!</p>
<p>You want to be the guy that tells women not be so stressed out. In fact, I have a tease that goes "Why are you so tense? You're such a dork!" (said in a playful way), that works great.</p>
<a href="http://www.seductiontuition.com/dahunter/"><strong> Dahunter </strong></a>
<p>Dahunter is a training instructor for <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a>. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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		<title>Anatomy of Behavior Modification </title>
		<link>http://www.seductiontuition.com/dahunter/pua-anatomy-of-behavior-modification/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/dahunter/"><strong> DaHunter </strong></a></p><p>While in the comfort phase, you don't want to tease in order to punish a woman for bad behavior, simply because it's a waste of time and it's going backwards in the process. You will start to banter, which leads to a playfully fighting vibe. This is the complete opposite of what you want once you are in comfort. In comfort you want to make her say to herself, "where was this guy all my life?"</p>
<p>[For more on comfort, see Chapter 9: Comfort of <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a>.]</p>
<p>Inevitably, however, there will be times when a woman will do something that you don't like, and it's imperative that you make her understand that this is unacceptable. I have deconstructed the process you need to follow in order to modify such behavior for good.</p>
<h2>Change your behavior</h2>
<p>Fall silent or otherwise change your attitude to be more dismissive and display a willingness to walk away. The main point of this is to show that things will never be the same unless she changes what she just did. It's unacceptable.</p>
<h2>Wait for her to bring it up</h2>
<p>She should realize that you are upset without you having to say anything about it. Remember that 90% of communication is non-verbal? This is the right time to apply that. Turn your body so that you're not facing towards her, don't look her in the eyes, be dismissive, and keep your answers short.</p>
<h2>Explain what the problem is</h2>
<p>Once she asks what's going on, explain that her behavior is unacceptable. The key to this is to be reluctant to explain it, like you didn't want to say anything but she had to force it out of you. Once you do start explaining, make sure you let her know that you have a rule against that and you will not tolerate such behavior.</p>
<h2>Put a hoop</h2>
<p>The key to solving the little drama you just created is by putting a hoop to a new behavior or frame of mind she must accept in order to continue being with you. If the fight is because she flaked out, then the hoop would be that she has to bring you a present in order to make it up to you. Don't be afraid to make it a big hoop as this is her chance to prove that she likes you after she messed up and it proves that you are willing to walk away if she doesn't live up to your high standards.</p>
<h2>Reward</h2>
<p>Once she jumps your hoop, reward her and let her know how awesome she is/the two of you are together. Make her feel like you were meant to be together and that she is great.
You can even surprise her (with whatever you may want to do for her), or give her a compliment about her personality after she jumps your hoop.</p>
<p>Now you have a girl that is learning what you like. Here's the process again in a nutshell, after she does something you don't like:</p>
<ul><li>Change your behavior</li>
  <li>Wait for her to bring it up</li>
  <li>Explain the problem</li>
<li>Put a hoop</li>
<li>Reward her for jumping your hoop</li>
</ul>
</p>
<a href="http://www.seductiontuition.com/dahunter/"><strong> Dahunter </strong></a>
<p>Dahunter is a training instructor for <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a>. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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		<title>Deconstructing Attraction</title>
		<link>http://www.seductiontuition.com/dahunter/pua-deconstructing-attraction/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/dahunter/"><strong> DaHunter </strong></a></p><p>This is a question I got from a live workshop student and I'm answering it here with his permission.</p>
<p><em>Dahunter,</em></p>
<p><em>
It's XX from the recent <a href="http://www.seductiontuition.com/adam-lyons/pua-bootcamp/" target="_blank"><strong>LA workshop</strong></a>(you know, the guy who people kept opening because they thought I was my brother who's on TV). So I've been practicing like crazy ever since the event, and I'm really beginning to develop my own style. I remember that you were especially skilled at immediately transitioning from an opener to banter/qualifying. I was really impressed with how you were already qualifying with them within the first 5 seconds.</em></p>
<p><em>I was hoping that you could give me your basic structure of the first few minutes of an interaction. Maybe give me an example of your favorite opener, then the woman's response, then some bantering/qualifying lines that follow naturally, then the few routines you go quickly into, and the banter lines that easily follow. I remember you used strawberry fields, so maybe you could give me the easy banter lines to use that naturally and follow from a woman's response to the routine.</em></p>
<p><em>Thanks a lot Dahunter, this will help me out a ton. One of my weak points has always been getting quickly into an bantering/qualifying frame, and since that seemed to be your strength this would help me out a ton.</em></p>
<p><em>
Look forward to hearing from you,</em></p>
<p><em>
XX</em></p>
<p>The best way to transition, in my experience, is a cold read. Others use different transitions, and occasionally I do as well, but as a standard I will do a cold read. It's usually something lighthearted and funny, and it's basically just telling them my first impression of them or running the best friends test.</p>
<p>The thing that I do that I consciously worked on is that I talk down to a woman in a playful way in the beginning. The things that I say come out of nowhere. I don't have a logical reason to bust out with something like "are you giving me shit?" It absolutely makes no sense yet I say it in a loud way, 100% congruent, and in a very assertive manner so there's not one ounce of doubt in my mind that it will work, and that is the key.</p>
<p>It's not so much about practicing the lines as it is practicing the delivery. What I would suggest would be to grab one common theme for teasing like the "are you giving me shit?" line and practice it until you have it polished.</p>
<p>Other lines I use in combination with "are you giving me shit?" are:</p>
<ul>
<li>I'll kick your ass.</li>
<li>Are you kidding me? You'll be on the ground in 30 seconds.</li>
<li>I eat girls like you for breakfast.</li>
<li>Be silent, little girl.</li>
<li>Go sit on the corner and I'll bring you a bucket of crayons.</li>
<li>Yeah, you're like the karate kid on crack.</li>
</ul>
<p>These are lines that I use, with great success.
So, commit to learn all of these, and master the delivery.</p>
<p>For example, a set of mine will go like this:</p>
<p><strong>Opener</strong><br />
&nbsp;&nbsp;&nbsp; <em>"Hmm, you guys are funny (with a conspicuous look on my face). This is my first impression of you guys:"</em></p>
<p>Point to the first.</p>
<p><em>"You seem like you're the mother of the group; you're probably the one that takes care of all of them."</em></p>
<p>Point to the next.</p>
<p><em>"You seem like you're the shit starter; you're probably the champion at any drinking game between you guys."</em></p>
<p>Point to the last.</p>
<p><em>"And you, you're like the quiet one."</em></p>
<p>Her inevitable reply:</p>
<p><em>"I'm not the quiet one!"</em></p>
<p>You respond with:</p>
<p>&nbsp;&nbsp;&nbsp;<em>"Oh, now she talks. Are you giving me shit?"</em> (You're challenging her, like asking "are you a tough girl?")<br />
<ul>
<li><em>"What? Are you trying to start a fight with me?"</em></li>
<li><em>"I'll take you down little girl!"</em></li>
<li><em>"Go sit at the corner I'll bring you a bucket of crayons."</em></li>
<li><em>"Listen, don't start shit with me. I eat girls like you for breakfast."</em></li>
<li><em>"Let me see your arm... Oh my god, you're like the karate kid, but on crack."</em></li>
</ul></p>
<p>At this point I would either assess the situation to see if I need more attraction or if she starts asking me questions. Usually you don't need that much, but sometimes I'll ask a question like "so who are you anyways?" because they'll usually ask "who are you!?"</p>
<p>What I want to do is bait her so she keeps asking me questions. To do this I use lots of canned open loops, always around the same topics. For example, right now I'm in Atlanta so I will say "I love Atlanta; every time I'm here I have such a good time." The automatic question this provokes is "where are you from?"</p>
<p>I will say "I wasn't born there, but I live in Chicago." This will then bait her to ask "so where were you born?"</p>
<p>For all of these responses I have built in examples of my positive qualities that trigger attraction in a pretty predictable rate, and this is why my attraction game is so tight.</p>
<p>So, the key to perfecting your attraction game is to have a general theme for your banter, such as "we're going to fight" or "I'm the popular one, you're the nerd" or "you're so into me it's obvious." Then, throw in all these funny lines back and forth with her until she's invested so much that she becomes attracted to you. Again, borrow the lines I gave you above and polish those until you have the delivery right and then you can come up with new ones of your own.</p>
<p>Once she's attracted she will start asking you question that you will predictably get over and over, so prepare all your pre-canned responses to all those questions with open loops and more positive things about yourself, and then mix it up with some playful future projections. Do that and before you know it you'll have a woman who is completely into you in no time.</p>
<p>To read more, check out Chapter 7: Attraction in <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a>.</p>
<a href="http://www.seductiontuition.com/dahunter/"><strong> Dahunter </strong></a>
<p>Dahunter is a training instructor for <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a>. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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		<title>You Missed This?</title>
		<link>http://www.seductiontuition.com/nightvision/pua-pandora-box-webinar-vindicarlo/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/nightvision/"><strong> nightvision </strong></a></p><p>You missed this:</p>
    <p><a href="https://vindicarlo.infusionsoft.com/go/pweb/londonla/" rel="nofollow" target="_blank"><strong>Cool Webinar</strong></a></p>
    <p>Last night, my good buddy Vin Dicarlo did a webinar on how to get really consistent results with women 
    using a new method he's developed which he calls&quot;Pandoras Box.&quot;</p>
    <p> Basically, what his method allows you to do is quickly figure out what 'type' the girl you're talking to is (according to vin, there are 8 types) ...and then gives you a gameplan for getting that SPECIFIC type of girl.</p>
    <p>Pretty cool, huh? </p>
    <p>If you didn't get a chance to see it, you can just click the link below and you can watch the replay he's set up.</p>
    <p><a href="https://vindicarlo.infusionsoft.com/go/pweb/londonla/" rel="nofollow" target="_blank"><strong>Click Here</strong></a> </p>
    <p>It's about 55 minutes long and it will play automatically, just give it a few seconds to load.</p>
    <p>Enjoy!</p>
    <p><a href="http://www.seductiontuition.com/nightvision/"><strong> NightVision </strong></a>
    <p> ]]></description>
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		<title>Excuses...Get Rid Of Them </title>
		<link>http://www.seductiontuition.com/rokker/pua-excuses-get-rid-them/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/rokker/"><strong> Rokker </strong></a></p><p>One problem I see at every <a href="http://www.seductiontuition.com/adam-lyons/pua-bootcamp/"><strong>live workshop</strong></a>, almost every 1-on-1, and whenever I meet someone in the community, is that men are very good at coming up with excuses why not to improve their game. Huh? Don't they want to improve their game? Of course they do! It's just that they come up with excuses all the time why not to approach, why not to go out that night, why everything is stacked against them, why they'll never be good at game... and thus find excuses why not to improve their game. If you can stop making excuses and focus your attention towards what you want to achieve instead of finding reasons why you won't reach that goal, you are almost guaranteed success.</p>
<p><strong>Pushing yourself out of your comfort zone</strong></p>
<p>Yes, this can be painful sometimes. That's why game is a hard (and therefore also very rewarding) skill to learn, because you simply have to <em>do it</em>. Now here's where the excuses arise. We instinctively try to keep ourselves within our comfort zone, probably as an ingrained survival mechanism, and will find whatever reason we can to do so. Now the irony of it all is that the comfort zone you're in is probably a zone you desperately want to escape. You might feel terrible about your life because you have no women in it, but that's now your comfort zone and you are petrified to break out of it and do something that's out of that zone.</p>
<p>Now if we can push ourselves (even if it might sting a bit) and integrate being really social and talking to women constantly (or whatever else we want to bring into our lives) then that will eventually become part of our comfort zone and not a big deal anymore...</p>
<p>There's really only one way to break out of the shackles and expand your comfort zone, and that is to "kill the excuse generator" (concept name borrowed from Captain Jack).</p>
<p><strong>Kill the excuse generator</strong></p>
<p>So how do you kill the excuse generator? Well, first of all you must be aware that you will constantly try to trick yourself. The excuses come in all kind of forms, and some are harder to spot than others. The classic excuses are "I'm not good-looking enough" or "I'm not rich enough." They are what I call "direct excuses" and of course we both know that they are very rarely valid, as we've witnessed both "not classically good-looking" and "not so rich" guys pick up hot chicks. I will list a couple of other excuses at the end of this article and then squash them, so you can identify them as excuses and not valid reasons if they ever pop up in your head.</p>
<p>Other excuses can be a bit trickier to spot, especially when you are using indirect reasons why not to game. These include "Too bad I can't go out and game today since I have to do the laundry" or "Oh, those women aren't hot enough; I don't feel like approaching when they aren't super hot."</p>
<p>Now take a minute and think about what's going on here. In the first "laundry case," is this really a good enough reason why not to go out or is it just an excuse not to push yourself out of your comfort zone? Every time you get a similar thought in your head, figure out if it's a legitimate reason or just a manifestation of your anxiety.</p>
<p>The "they are not hot enough" excuse is probably one of the most common excuses. Is it valid? Almost never. The only time it's valid is when you are surrounded by hotties and someone tells you to "approach that group" and you approach another group because its members are even hotter... well, then you are excused. In any other case, that "ugly" group <em>will</em> add to your experience and help build your social status if nothing else. Realize that this is just approach anxiety in a different form. [To read more about approach anxiety, see Chapter 5: Opening of <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a>]</p>
<p>The best way to get rid of your excuse generator is to have set goals concerning what you want to accomplish with women, and every time you are halted by an excuse from approaching ask yourself: "Will this action take me closer to or further away from my goals?." (Thanks to <a href="http://www.seductiontuition.com/sinn/"><strong> Sinn </strong></a>for this.) The answer is almost always that the action will take you closer to your goals, and therefore you should do it.</p>
<p><em><strong>Common excuses</strong></em></p>
<p>Here's a run-down of some common excuses:</p>
<p><em><strong>I'm not attractive enough.</strong></em></p>
<p>Since we are guys, we tend to judge people by their looks (and think people judge us based on looks alone). How attractive you appear to women (without talking to them) is 80-90% determined by body language, grooming, and how you are dressed and not by your physique. After that you will be attractive when you talk. This excuse is never valid.</p>
<p><em><strong>I'm not rich enough.</strong></em></p>
<p>Day game is free. You can find night game venues that have no cover charge, and you don't have to spend a cent on the entire night. [To read more about Day Game, see Chapter 13: Day Game of <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a>]</p>
<p><em><strong>They aren't hot enough.</strong>
</em>
<p>They will still add to your experience and social status. Approach.</p>
<p><em><strong>I need a drink / to go to the bathroom / to wander around a bit before I approach.</strong>
</em>
<p>No you don't! What you need is to get rid of your approach anxiety, and now is the best time to do it. Approach!</p>
<p><em><strong>I'll never be good at game because X, Y or Z.</strong>
</em>
<p>So you think you are the only one with problem X? Instead of quitting and feeling sorry for yourself (that won't lead you anywhere), change your state of mind into something constructive. "What can I do to get around problem X? How can I change this into something positive or at least something that doesn't interfere with my progress?" We all have our problems but the ones who get good develop this sort of thinking instead of feeling sorry for themselves or quitting.</p>
<p><em><strong>Conclusion</strong></em></p>
<p>Killing the excuse generator is one of the biggest steps you can take towards mastery. It will be hard at times, but ultimately very rewarding.</p>
<p><em>Nothing in life worth having comes easy.</em></p>
<a href="http://www.seductiontuition.com/rokker/"><strong> Rokker </strong></a>

    <p>Rokker is a training instructor for <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a>. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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		<title>Read Her Mind In One Minute...</title>
		<link>http://www.seductiontuition.com/nightvision/pua-pandora-box-vindicarlo/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/nightvision/"><strong> nightvision </strong></a></p><p><p>This is something you gotta  check out, right now:</p>
    <p><a href="http://www.seductiontuition.com/control-her-thoughts" rel="nofollow" target="_blank"><strong>Read Her Mind In One Minute </strong></a></p>
    <p>It's a page my buddy Vin  DiCarlo put up and yeah, it's ugly, but it's what on the inside that counts...</p>
    <p>You see, he's got a  brand-new book he's giving away 100% on the house. And the title of this bad  boy is:</p>
    <p>&quot;One Minute Mind  Reading&quot;</p>
    <p>You're gonna want to check  it out, it&rsquo;s been given away fr.ee:</p>
    <p><a href="http://www.seductiontuition.com/control-her-thoughts" rel="nofollow" target="_blank"><strong>Fr.ee Reading Her Mind Book Download </strong></a></p>
    <p>In this book - He reveals  the techniques he uses to &quot;read&quot; a woman's mind. In under one minute.</p>
    <p>And he says that you can  start reading her mind in minutes, even if you're confused by her 'double  speak.'</p>
    <p>Just use this book to  discover three things about her, then keeping your conversations flowing for  ages gets easier and easier.</p>
    <p>Some say this is the piece  of info that makes everything else &quot;click&quot;, and you can get this book  on the house. </p>
    <p>All you gotta do is log in  with your email and then download it, immediately.</p>
    <p><a href="http://www.seductiontuition.com/control-her-thoughts" rel="nofollow" target="_blank"><strong>Fr.ee Reading Her Mind Book Download </strong></a></p>
    <p>Vin told me over 3,637 guys  have already downloaded it, and it's only been up for a few hours. So I'm sure  this one is gonna be a big hit. Grab it while it's still available.</p>
    <p>Anyways, just wanted to keep  you updated. You know I always share the best techniques with you.</p>
    <p>Talk soon,</p>
    <p>&nbsp;</p>
    <p> <a href="http://www.seductiontuition.com/nightvision/"><strong> NightVision </strong></a></p>
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		<title>Analysing Approaches And Building Skills</title>
		<link>http://www.seductiontuition.com/rokker/pua-analysing-approaches-building-skills/</link>
		<description><![CDATA[ <p>By <a href="http://www.seductiontuition.com/rokker/"><strong> Rokker </strong></a></p><p><strong>The Theory</strong></p>
<p>Have you ever thought about why some people who have been in this community for a really long time still can't approach women correctly? Ever wondered what separates one guy's constant improvement from another guy's struggle? Well, it really boils down to one thing: how well you incorporate your experience from what happens in-field to your skill set.</p>
<p>What really determines your rate of progress from what you were (and are) to what you want to become is your ability to build up your own skill. Imagine that your skill level in meeting women (although this concept goes for every skill) is a brick wall, the more skillful you are the bigger it is. Every time you bring in new information and analyze it you are adding a brick to your skill wall. But here's the rub: in meeting women this has got to be information from <em>experience</em> and not something you've read!</p>
<p>This is why people fail... they have all this theory in their head but they don't really know how to use it because they haven't experienced it. They might think they know how and when to use it, but they don't. Think of theoretical information as bricks lying right next to your skill wall ready to be added, but until you've really experienced using that theory in field that brick won't add to your skill level. It's just not there yet.</p>
<p><strong>Building The Wall</strong></p>
<p>Your objective is of course to build up your skill wall. Now here's the beauty of it: it's really you (and only you) who are in control of how fast you are building that wall. Add bigger chunks by doing a more detailed analysis of every interaction. Add more chunks by being social more frequently. Combined with theoretical knowledge and understanding, you will reach your goals faster than you could imagine and your skill level will skyrocket.</p>
<p><strong>The Outcome</strong></p>
<p>First, ask yourself this question: Is the outcome of the approach the most important thing for you? Say you can run the same approach twice - the first time you run poor game but come away with a make-out, and the second time you run good game but come away with nothing. What would you prefer? Stop reading and really think about this, because it's important.</p>
<p>Here's your answer: As long as you learn something from the experience, the outcome is of less importance! It's generally good to be outcome-independent, but that implies that you actually <em>learn</em> something from an approach in which you ran good game. So if you realized that you ran poor game the first time, analyzed what went well and what didn't, and then added a brick to your skill wall because of that - well, that's better than running good game and not learning anything from it. (I don't think I have to tell you that the best outcome is learning from running good game!)</p>
<p><strong>Approach Analysis</strong></p>
<p>Every approach and every interaction you do should be broken down and analyzed. Don't get me wrong here; I'm not talking about putting on your thinking cap and calculating mad genius equations every time. But, you really should have a grasp of what you did right and what you did wrong in every approach. Depending on your current skill level, these things might be big (like coming in with negative energy or being generally insulting) or small (micro-calibration). You hear a lot of beginners saying: "Well, uh, she was a total bitch." No, she's not a bitch. You did something that triggered her to be a bitch to you. Instead, ask yourself what you did that made her act like a bitch to you.</p>
<p>Did you:
<ul>
<li>Have good body language coming in?</li>
<li>Open correctly?</li>
<li>Create a false time constraint (give the illusion that you won't be hanging around all night), tease (correctly, not insulting) and start new conversational topics?</li>
</ul></p>
<p>The more steps you can break your interaction into, the more you will learn and be able to apply to the next one. This is what analyzing approaches is all about! Break down your interaction and give yourself both positive feedback (as in things you did well and you plan to keep doing) and constructive negative feedback (things you want to get rid of or alter so it benefits you).</p>
<p>Also realize that what you think caused the bad response or rejection could have its roots in something you did earlier in the interaction. It might not be the most obvious thing that got you rejected, but a combination of things.</p>
<p><strong>Constructive Feedback</strong></p>
<p>It's important to give yourself constructive feedback. If you say "well, I certainly messed up that tease," that won't help unless you ask "what can I do to change the way I deliver that to make it work?" afterwards. Find the source of what went wrong and then figure out how to solve it. Just finding the source won't do; that's like finding a flat tire on your car and then riding on it without fixing it.</p>
<p>It's also easy to blame something or someone else if an interaction goes stale. Don't ever do this. Excuses like "the music was too loud" or "she wanted to dance and I don't know how" are just that, excuses. If the music is too loud, talk louder or move to a quieter location. If she wants to dance, find a way to be interesting enough so she wants to stay. The only way to build up your skill level is to be able to pinpoint your weaknesses and work on them.</p>
<p><strong>Wingmen And Pivots</strong></p>
<p>Your "wingman" or "pivot" (a female wingman) can give you feedback on things that you might not have noticed. However, your wingman can't change anything about how you are behaving for you. You have to take that step yourself and change whatever you're doing wrong. Only you can add bricks to your skill wall. Appreciate your wingman's feedback and figure out what you can do to apply it and make a positive change.</p>
<p><strong>Negative State And When To Analyze</strong></p>
<p>When you are out approaching women in a club and get rejected and you don't have a strong inner game, it's easy to lose the good state you are in. Analyzing the interaction right after a rejection can be an even bigger mood-breaker, so what I suggest is to take a "mental picture" of it and remember it for later analysis. Just quickly go over what you think was the biggest key factor that went wrong, store it away for later evaluation, and then get back in that good mood. Don't go around over-analyzing in the club; that will probably only confuse you and make you miss out on more potential interactions. Above that, it's a good way to train your memory.</p>
<p><strong>Conclusion</strong></p>
<p>If you are not already actively trying to learn something from every interaction then you are not progressing as fast as you could be. Focus on yourself and figure out what you're doing wrong as well as what you are going to do to improve.</p>
<p>Only you can build your skill wall as high as you want it to be.</p>
   <a href="http://www.seductiontuition.com/rokker/"><strong> Rokker </strong></a>
    <p>Rokker is a training instructor for <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a>. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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		<title>Getting Her Alone</title>
		<link>http://www.seductiontuition.com/rokker/pua-getting-her-alone/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/rokker/"><strong> Rokker </strong></a></p><p>Getting a woman into a private conversation is a crucial waypoint in  every interaction. It's vital that you do, but still I see guys in  workshops and 1-on-1s <em>not</em> pushing for it. This makes the interaction much harder than it needs to be.</p>
    <p><strong>Why?</strong></p>
    <p>The purpose of every group you approach with a target that you are  interested in is to build an emotional connection. It's not about  building huge amounts of attraction or making her say "Wow, you're the  most different person I've ever met!" It's all about building that  connection so she wants to see you again or feel comfortable enough to  go home with you the same night.  </p>
    <p>Now, since we approach groups, building that emotional  connection is tough when the woman is in a group of friends. Why is  that? Well here are some reasons: </p>
    <ul>
      <li>She probably acts differently around her friends than when she is alone.</li>
      <li>She doesn't want to seem too into you and easy in front of her friends.</li>
      <li>Her attention will be divided when in a group of friends as she  will almost always try to see what her friends think of the situation.</li>
      <li>You can't really open yourself up in the same way and say the same  things as you could when you guys are alone to establish that real  connection.</li>
    </ul>
    <p>These reasons should be enough for you to move her into a private  one-on-one, but there's also another very important thing that it  accomplishes: it's a waypoint into qualification and comfort. When you  get the woman alone, you know that she is attracted and you can now  start running qualification and build comfort.    </p>
    <p>[For more information, see Chapter 8: Qualification and Chapter 9: Comfort in<a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> ]</p>
    <p><strong>When?</strong></p>
    <p>Simply stated: get her alone as soon as  possible. However, be aware that the earlier you do (or more correctly,  the less you've befriended her peer group) the more interruptions you  will have. If you are good at handling her friends, then try to get a  woman alone as soon as possible. If you want to play it a bit safer,  make sure that you get "green lights" from everyone in the group and  then go for it.    </p>
    <p>The most important thing is that you actually pull the trigger and try to get her alone. In the <a href="http://www.seductiontuition.com/nick-savoy/pua-emotional-progression-model/"><strong>Emotional Progression Model</strong></a>,  I would say that the optimal situation to get a woman alone is when  you've built a fair amount of attraction and also qualified her a bit  with smallish hoops (you want to save the big hoops for later).  </p>
    <p>However, remember that there's no such thing as "the optimal  interaction" and you don't get an Oscar for doing the best lines; just  get the job done. For example, I got an ex of mine alone the first time  I met her after 30 seconds of conversation, and it was from a two-woman  group without a "wingman" for help. I figured I had enough attraction  from the approach and sub-communications, and thought I could get away  with it so I went for it.    </p>
    <p>Like most things in dating science, <em>if you believe the attempt will work, it most likely will. If you don't think it will, then you are right.</em> </p>
    <p><strong>How?</strong></p>
    <p>There are two different types of private  conversations, the "mini" and the "full." The first one doesn't require  as much compliance as the second, but can be very useful in groups. </p>
    <p><strong><em>Mini</em></strong></p>
    <p>The "mini" is when you still stay in  the group with your target (alternatively take a few steps towards the  bar or anywhere near the group, but with the group still within earshot  of you two). This way you guys have your private little "bubble" within  the group.  </p>
    <p>This is most easily created if you have a "wingman" that can  occupy the other women in the group while you are chatting away with  the target. If you don't have a wingman and it's a group of three or  more, you can always engage the target in a discussion and usually the  other members of the group will start talking amongst themselves. The  problem with this is that the woman might still not completely open up  to you as she might think the other women can see or hear her, and it's  also very easy for the other women to interrupt you two in the middle  of something important.  </p>
    <p>What you want to do is to turn the woman so her back is facing  the rest of the group (so she can't see her friends). If you have a  wingman, make him turn the other women too so their backs face your  target's back. This way the women can no longer girl-code each other  and your target will pay more attention to you instead of trying to  look over your shoulder to see if her friends are trying to say  something to her.  </p>
    <p>I use the "mini" mainly to amp up the last attraction I need,  to start making her qualify herself, and also to increase the physical  contact. </p>
    <p><strong><em>Full</em></strong></p>
    <p>This is what you are looking for.  "Full" is when you two guys are alone away from the group, preferably  in a quiet area where you really can connect. It's actually easier than  you think to get into a private conversation, and if you are not always  trying for this you are lacking a very important piece of your game.  Here's one way I do it: </p>
    <blockquote><em>"Hey, I'm going to show you something really cool, but we have to be seated. There are some sofas over there; let's go."</em></blockquote>
    I then grab her hand and lead her over. Again, don't hesitate.    Other pieces that I use are:
    <ul>
      <li><em>"Oh my god, the craziest thing happened yesterday. I'll tell  you all about it, but it's too loud here. Let's go somewhere less  noisy."</em></li>
      <li><em>"I need a drink; keep me company in the bar."</em></li>
      <li><em>"I want to dance but I'm not sure you are such a good dancer... are you? Well let's go then."</em> I then dance a bit, increase the touching, and then move her to the bar / sofas, etc.</li>
    </ul>
    <p>Once by ourselves I tell the woman a story, play a game, or start  running comfort. I recommend you have a piece to kick off the  conversation, but it's really no big deal... and if you get a complete  brain-freeze just run a qualification piece.  </p>
    <p>This is also the place to start doing some serious physical  interaction. With the right moves you will be kissing her in no time. </p><p>
    <a href="http://www.seductiontuition.com/rokker/"><strong> Rokker </strong></a></p>
    <p>Rokker is a training instructor for <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a>. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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		<title>Observational Transitioning</title>
		<link>http://www.seductiontuition.com/rokker/pua-observational-transitioning/</link>
		<description><![CDATA[  <p>By <a href="http://www.seductiontuition.com/rokker/"><strong> Rokker </strong></a></p> <p>One of the hardest things for new guys when it comes to cold approach is making conversations seem smooth and unstrained. &nbsp;This  is especially true right after the opener, when you are about to turn  the opener into a &ldquo;normal conversation&rdquo; (in other words, moving into  the Attraction phase). &nbsp;This is nothing new, and both <a href="http://www.seductiontuition.com/sinn/"><strong> Sinn </strong></a> and <a href="http://www.seductiontuition.com/nick-savoy/"><strong> Savoy </strong></a> have been dishing out stuff about this for awhile. &nbsp;There&rsquo;s a great chapter in <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> for transitioning. <br>
      <br>
The easiest way to transition in my opinion is by using observational transitions.&nbsp; These carry a number of advantages such as:</p>
    <ol>
      <li>Piques her interest right off  the bat as this isn&rsquo;t what every guy does and what you are saying is  interesting.</li>
      <li>It involves cold reads, which  almost always gets a good reaction (and by a good reaction I mean something  that helps you move the interaction forward).</li>
      <li>You can easily display  playfulness and humor with them.</li>
      <li>They often lead you into  another routine.</li>
      <li>You  can build interesting and playful &ldquo;minimum input&rdquo; routine series with them.<br>
      </li>
    </ol>
    <p> Here&rsquo;s the basis of delivering observational  transitions: when you are about to (falsely) leave the woman or group  after the opener, you notice something about a person (or persons) in  the group that you just have to tell them about. &nbsp;The great thing about this is that they actually don&rsquo;t have to do anything to make you say this! &nbsp;In  other words, you can use the same observational transition for every  interaction and create routines for which you use the same transition  every time. &nbsp;You can use this routine as  training to get some live experience under your belt and work on your  delivery, or you can use it as a back-up whenever you feel like you  need it.<br>
        <br>
  &ldquo;Well, I could build routines with phrasal transitions too&rdquo; you might say. &nbsp;Well  sure, but in my experience interactions tend to go better and people  listen more closely to what I have to say if I use cold reads and get  their attention and then jump into my longer DHV stories than the other  way around. &nbsp;Beyond that, cold reads and  &ldquo;observational transitions&rdquo; are powerful tools that you can throw in  pretty much anywhere in the interaction, so it&rsquo;s useful to learn a few  of them anyway.<br>
  <br>
      So what are some ideas for observational transitions? &nbsp;I  have listed a few that I personally use (so you deliver your opener,  then body rock as if you are about to leave and then fire out one of  these babies):</p>
    <ul>
      <li>&ldquo;Oh my god I just noticed  something... you guys are pretty good friends, aren't you?&rdquo;&nbsp; <em>[Go into the Best Friends Test  routine]</em></li>
      <li>&ldquo;Hey, I just noticed... your  eyes tend to slant downwards and to the left when I talk to you. &nbsp;My ex-girlfriend taught me that people  who do that tend to be in touch with their feelings. &nbsp;They seem to listen and follow their  feelings a lot. &nbsp;Would you consider  yourself a person who listens more to her feelings than pure logic?&rdquo;<br>
          <em>[They answer and I follow up with:]</em> &nbsp;&ldquo;Yeah, because I like to do that too...  actually, that very trait has led me to some great adventures... <em>[and  off I go into a story]</em></li>
      <li>&ldquo;I just noticed... you have a  U-shaped smile.&rdquo; <em>[and into C vs. Us routine]</em></li>
      <li>&ldquo;Hey, where did you get those  shoes?! &nbsp;I was out shopping with a  friend of mine the other day and she was looking everywhere for a pair of  shoes like that... you do know that if that pair you&rsquo;re wearing was the  last pair, then you are in some serious trouble!&rdquo;&nbsp; If  said to the target, I sometimes add: &ldquo;I think I hate you now. &nbsp;You and I are so not going to get along.&nbsp; You made me spend four hours looking for  those damn shoes!&rdquo; <em>&nbsp;[From here I  continue with &ldquo;Actually, speaking of my friend, she has this interesting  theory...&rdquo; and then off into a routine]</em></li>
      <li><em>[They answer your opinion  opener]</em> &nbsp;Hmm... let me see your  hands.&nbsp; Yeah, just like I expected.&rdquo;  &nbsp;<em>[They&rsquo;ll ask &ldquo;what, what?&rdquo; and  you go into Finger Length routine]</em></li>
      <li>&ldquo;Geez, it&rsquo;s amazing. &nbsp;My ex-girlfriend has this &ldquo;doppelganger&rdquo;  theory and it basically says that every person has an identical twin in  the world, and you look exactly like my last girlfriend/aunt/sister/cousin/the girl I met last week.<em> &nbsp;[and then go into a story about that  person]</em></li>
      <li><em>[Pause the opener, look at  her and say:]</em> &nbsp;&ldquo;The way you stand  when you talk to me... <em>[pause]</em> gives me the feeling that you&rsquo;re  pretty confident and friendly... am I right? &nbsp;(As  you may notice this could very well be used in the Qualification phase,  like many other cold reads that say something about her.)</li>
      <li>&ldquo;Hey by the way, did you pick  the finger you are wearing that ring on?&rdquo; <em>[and go into the Ring Finger  routine]</em></li>
      <li>&ldquo;Hmm... something about you  makes me think you are a pretty bad liar.&nbsp;  We have to play the lying game to see if that&rsquo;s true. <em>[and into  the 5 Questions Game]</em></li>
      <li>&ldquo;Hey  it&rsquo;s so cute, your nose wiggles when you talk and that totally reminds me  of my ex-girlfriend and the time we went to... <em>[and into a story]</em><br>
      </li>
    </ul>
    <p> There you have some ideas for observational transitions. &nbsp;Play around with these and come up with some of your own. &nbsp;Now  you know an easy way to transition from your opener to your attraction  material, which often is a big sticking point for new guys.<br>
        <br>
      A good exercise for in-field improvisation is to make up your own &ldquo;cold  read&rdquo; (or something you&rsquo;ve noticed about a person or persons) on the  spot. &nbsp;I like to do this because it&rsquo;s fun and I get a kick out of improvising. &nbsp;I&rsquo;ll say: &ldquo;Hey, I noticed you have blue eyes, just like me. &nbsp;Did you know that they say that people who have blue eyes are more spontaneous and adventurous? &nbsp;Too bad you have blonde hair; you don&rsquo;t want to know what they say about that...&rdquo;<br>
  <br>
      Remember, the more natural a transition feels the more likely it will  be a good one. By practicing you will make these feel very natural, but  if you come up with something on the spot that feels more natural then  by all means use that one.</p>
    <p>The Love Systems<a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a> is the foremost resource on routines, with detailed explanations of how  they work and when to use them in the phases of the Emotional  Progression Model.&nbsp; All of the above routines can be found in the Routines Manual, and many more.&nbsp; Check it out <a href="http://www.seductiontuition.com/routines-manual" rel="nofollow" target="_blank">here</a>.&nbsp;</p>
    <p>For more advanced techniques, check out <a href="http://www.seductiontuition.com/ivs-opening-transitioning" target="_blank" rel="nofollow"><strong>Interview Series Volume 1 on Opening and Transitioning</strong></a> with <a href="http://www.seductiontuition.com/sinn/"><strong> Sinn </strong></a> and <a href="http://www.seductiontuition.com/nick-savoy/"><strong> Savoy </strong></a> and <a href="http://www.seductiontuition.com/ivs-using-creating-routines" target="_blank" rel="nofollow"><strong>Volume 9 on Using and Creating Routines</strong></a> with The Don and <a href="http://www.seductiontuition.com/nick-savoy/"><strong> Savoy </strong></a>.</p>
<a href="http://www.seductiontuition.com/rokker/"><strong> Rokker </strong></a>
    <p>Rokker is a training instructor for <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a>. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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		<title>PUA Phone Text Game</title>
		<link>http://www.seductiontuition.com/subscribed/lovesystemsphonetextgame.html </link>
		<description><![CDATA[  <p>By <a href="http://www.seductiontuition.com/nightvision/"><strong>NightVision</strong></a> </p>
    <p>We have put up a recording of the exclusive conference call  when <strong>Braddock </strong>and <strong>Savoy </strong>took  every question imaginable on phone and text game for an hour and a half.&nbsp; Learn from others' mistakes, you can listen  to it here:</p>
    <p>====================================== <br>
        <strong><a href="http://www.seductiontuition.com/subscribed/lovesystemsphonetextgame.html">PUA Phone Game Audio </a></strong><br>
      ====================================== </p>
    <p>Enjoy,</p>
    <p><a href="http://www.seductiontuition.com/nightvision/"><strong>NightVision</strong></a></p>]]></description>
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		<title>When is right time to ask for her number?</title>
		<link>http://www.seductiontuition.com/braddock/phone-game-investment/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/braddock/"><strong> Braddock </strong></a></p><p>Let&rsquo;s see if you can identify  yourself with this situation: You get a phone number from a girl but she will  not respond to your text messages or phone calls. Sounds familiar?</p>
    <p>What you have is a flaky phone  number. Most of the time flaky numbers are a symptom of something you did wrong  when you first met the girl. </p>
    <p>What most guys do wrong is as  soon they see the girl is a little bit interested they will ask for the phone  number. In other words, as soon the girl is a little bit attracted the guy will  see that as a green light to get her phone number.<br>
      What is the mistake? You are  asking too early for the phone number.</p>
    <p>Remember that women live in the  emotional moment. This means she may have genuinely wanted to give you her  number at that moment and gone out with you, but one or two days later she is  not feeling the exact same way she did when you first met.</p>
    <p>So when is the right time to  ask for her phone number?<br>
      The short answer is: once she  has invested herself in you.<br>
      Invested? What does that mean?  Let me first explain what investment is in the dating context. Investment is essential to  reducing flaky phone numbers and thus getting girls to respond to your calls. As  humans we value things we work for. That is the basic idea behind investment.  The more she will invest in us, the more &ldquo;valuable&rdquo; we are to her. Let me give  you an example. Do you remember when you  received money for your birthday? That was easy money because you didn&rsquo;t do  anything to get it. That money was also easily spent. Few years later, you got  your first job where you had to work hard for your money. Did you spend that  money just as easy? No because you understood the value of money once you had  to work for it.</p>
    <p>The same idea applies to  dating. If women do not work for your attention and interest, they will not  value you as much. We want women to work for you and invest themselves into you.  That in return will make women more attracted to you and someone who she wants  to see again.</p>
    <p>Getting woman attracted is not  good enough. Attraction is just a fleeting feeling. She might have been  attracted to you at the moment you got her phone number, but that attraction  might be gone the next day.</p>
    <p>When you get investment from  the girl you solidify that attraction a little bit more. Within Love Systems we  call that Qualification and that is worth explaining in another article. Let me  give you five actionable items you can use today that will help you reduce  flaky phone numbers:<br>
      -Build an emotional connection  first before asking for the phone number<br>
      -Move her around the venue multiple times<br>
      -Bounce to a different venue if you can<br>
      -Getting her to save your (nick) name and phone number in her phone<br>
      -Hint at meeting up in the future and if she is agrees, then ask for the phone  number.</p>
    <p>Here is a simple exercise you  can do. Go out for a few weeks and don&rsquo;t ask for numbers unless SHE hints at meeting  up with you. Push the levels of attraction and emotional connection to a point  where she is almost coming on to you. This is hard to do and not something you  can do every time but it&rsquo;s a good exercise. It will help you see the window of  when you should ask for the number.</p>
    <p>This is really the tip of the  iceberg of what you can do to turn more phone numbers into dates. In my book <a href="http://www.seductiontuition.com/lovesystems-phonegamebook" target="_blank" rel="nofollow"><strong>The  Ultimate Guide on Text and Phone Game</strong></a> I have many more tips and techniques  on even turning flaky phone numbers into dates. It will be released January  21st, 2010 and you can find more information on it by <a href="http://www.seductiontuition.com/lovesystems-phonegamebook" target="_blank" rel="nofollow"><strong>clicking here</strong></a>. The book was recently released on 21st January and the first 1,000 buyers will get fr.ee bonuses with their purchase. The bonuses will  include one audio download ($40), the Phone Game Interview Series ($40), and 3  eBooks ($97) on phone and text game! That is over $177 worth of bonuses and  only available for the first 1,000 buyers.</p><p><a href="http://www.seductiontuition.com/braddock/"><strong> Braddock </strong></a>
</p>
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		<title>Text Game</title>
		<link>http://www.seductiontuition.com/mr-m/pua-text-game-basics/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/mr-m/"><strong> Mr. M </strong></a></p><p>Text game is a crucial part of your seduction toolbox. Braddock and  I will soon be releasing a revolutionary eBook entitled, &ldquo;<a href="http://www.seductiontuition.com/lovesystems-phonegamebook" target="_blank" rel="nofollow"><strong>The Definitive  Guide to Phone and Text Game</strong></a>&rdquo;. This article covers some of the basics that  we delve into in that eBook.</p>
    <p>Almost all of the psychological tools that are used in real life  seduction can be used in Phone and Text Game (besides sex of course!). For  example, attraction, comfort and even sexual escalation can be achieved by  using your phone effectively. </p>
    <p>The objective of phone and text game should be (1) to arrange a  meeting (a date) and (2) to create the requisite amount of attraction / comfort  / sexual tension so that the date goes well (i.e. hopefully leads to sex!). <br>
      This article will cover some of the basic principles of text game &ndash;  in particular:<br>
    (1) the things that you can and should do once you get her phone  number; and (2) some guidance on your first texts to her.</p>
    <h2>Seeding The Text</h2>
    <p>This is a technique that <a href="http://www.seductiontuition.com/braddock/"><strong> Braddock </strong></a> and I refer to as &lsquo;seeding the  text&rsquo;. Basically what it means is that you prepare her for the first text  somehow. So for example, immediately after getting her phone number, you could  say something to her like:<br>
      <em>&ldquo;Text  me when you get home&rdquo;</em> or<br>
      <em>&ldquo;I&rsquo;ll  text you my first impression of you&rdquo;</em></p>
    <p>A good technique is also to call her the minute you get her phone  number and create a fun role-play. For example, you could say something like,  &ldquo;Hi, this is [your name]. I met this really cute girl at the bar tonight but  then I started talking to her and found out that she is kind of weird and  stalkerish. I&rsquo;m calling because I need advice as to how to get rid of bar  stalkers.&rdquo; Another example is to say something like &ldquo;<em>I&rsquo;ll get my secretary to call your secretary</em>&rdquo; and then tosend a follow up text saying something  like<em> &ldquo;Hey this is Candy, [your name]&rsquo;s  hot, busty assistant. Is 7:30 tomorrow OK? ;)&rdquo;.</em></p>
    <p>Finally, an interesting gambit that I have  heard about is to use a pen and paper and to say something like &ldquo;<em>draw a picture of yourself so I can remember  what you look like&ldquo; </em>while you get her number (credit Kid44). You can then  tease her about her diagram.</p>
    <h2>Immediate Follow Up Texts</h2>
    <p>A follow up text is when you text her within 0-10 minutes of meeting  her. Follow up texts (or phone calls, as above) are an ideal way to (1) get her  used to the idea of texting you (2) contact her later that night for the same  night lay. </p>
    <p>Ideally, a follow-up text shouldn&rsquo;t include a question so it doesn&rsquo;t  require much compliance from her.&nbsp; These  types of low compliance texts are most useful when the girl doesn&rsquo;t have your  number yet. </p>
    <p>As a side note, it is generally a GOLDEN RULE that she should have  your number in her phone too. Don&rsquo;t just take her number, put yours into her  phone. Often, you can put your name as something funny like, &lsquo;Cute Oklahoma Boy  With Nice Ass&rsquo; or something more specific to you. That way, she laughs and is  in a better emotional state as soon as she gets a text from you.</p>
    <p>The best types of follow up text are those which involve callback  humor (i.e. relate to something that was said in the actual interaction between  you and her). Here are examples of some follow-up texts that tend to work well:<br>
  &ldquo;How&rsquo;s my favorite little brat doing?&rdquo;<br>
  &ldquo;It&rsquo;s me, your phone. I wanted to get out of  your pocket. The smell in there is unbearable. Take care.&rdquo;</p>
    <h2>When is the best time to  text? </h2>
    <p>Selecting a good time to text is key for two reasons. The first  reason is what it says about YOU! Cool, high value guys have busy lives. You go  out often and you have a fun and exciting life. So the time that you text is  crucial as it should indicate that you have an awesome busy life and you&rsquo;re not  just thinking about the girl you met in the bar the other day. You should  generally avoid texting a girl on a Friday night unless there was some  indication earlier during the day (or through the course of your interaction,  whenever it was) that you may meet up during the night.</p>
    <p>Consider it this way. Hot girls ALWAYS have something going on. If  they&rsquo;re hot then guys and girls are going to be calling them out all the time.  Thus if you don&rsquo;t catch them at the right time they may not respond to your  text. For example, they may have received a text and just not replied in that  moment because they are busy doing something else. They would then likely  forget to reply altogether. </p>
    <p>Therefore the best time to text is when she&rsquo;s alone in her room or  relaxing. The most likely times that this will be happening are:</p>
    <ol>
      <li>7pm Sunday. There is a good  chance she&rsquo;ll be alone on a Sunday evening.</li>
      <li>9pm any other day. Usually this  is the period just after dinner but before she goes to sleep.</li>
      <li>If you have to text during the  day, then 12 pm &ndash; 2 pm is ideal (lunchtime!). </li>
    </ol>
    <p>Texting at 7pm and 9pm also has an added advantage. These times lead  to bedtime. If you are the last person that she thinks about before she goes to  sleep and thus, likely the first person she thinks about when she wakes up, you  will resonate in her subconscious mind (beware, she may also resonate in  yours!).</p>
    <p>How long should you wait before you text? If it was a direct day  approach then text that same day or the day after at the latest. Alternatively  &ndash; if you met her during the night time, a text the next day may be more  appropriate (unless you want to employ the immediate follow up text or phone  call as described above).</p>
    <p>This needs to be calibrated depending on your interaction.</p>
    <h2>Opening texts</h2>
    <p>Your opening text should be congruent with your interaction and the  image you portrayed. In general, it&rsquo;s good to have a fun playful tone with your  texts. <br>
      Here are examples of easy going and fun texts that you can use:<br>
      <em>&ldquo;What&rsquo;s  up poster girl?&rdquo;</em><br>
      <em>&nbsp;&ldquo;Hey goober/shrimp/whatever fits, I just saw  the cutest little X and thought of you.</em><br>
      <em>&ldquo;You  wouldn&rsquo;t believe the dream I had last night.&rdquo;</em><br>
      <em>&ldquo;I just  met your twin&rdquo;</em></p>
    <p>Remember that the point of the opening text is to either bring her  good emotions, make her smile, laugh or be intrigued and then compel her to  write back. Most guys are too serious with their opening text and get to the  invite to the date WAY too fast. The emphasis should be on being playful and fun  and building or rebuilding the levels of comfort and attraction.</p>
    <h2>Situational  Opening Texts &ndash; A Good Strategy For Subsequent Text Exchanges</h2>
    <p>Situational opening texts are a good strategy for the second to  third times that you initiate text contact with her. They can work well to get  a conversation going but you eventually need to transition them into your  desired objective (which should generally be a date or meet up). <br>
      Here are examples of situational opening texts:<br>
      <em>&nbsp;&ldquo;If nose hairs were a sign of masculinity, the  guy opposite me would be the hulk.&rdquo;</em><br>
      <em>&nbsp;&ldquo;Maybe it&rsquo;s the booze talking, but I want you  to know that I love booze.&rdquo;</em><br>
      These are best used when you have something fun lined up with  friends already and then you can invite her out as part of the conversation.</p>
    <h2>The Structure of Messages  For Setting Up a Date</h2>
    <p>If the interaction between you and her went particularly well, you  may want to go directly for a date on your first text message. If this is the  case, you can employ a certain structure (credit DaHunter):</p>
    <ol>
      <li><strong>Open with the Nickname </strong>&ndash; The purpose of  the nickname is to set a fun and playful tonality to the text message. </li>
      <li><strong>Reason for text/response to their text </strong>&ndash;  This is to &lsquo;ground&rsquo; the text. You&rsquo;re not just texting her out of the blue.</li>
      <li><strong>Suggested course of action/genuine question</strong> &ndash; this is what most guys text. They simply text stuff like <em>&ldquo;We should hang out&rdquo;.</em> This will cause  her to react because she will basically be saying &lsquo;yes&rsquo; to you asking her out.  It will cause her to feel some small level of discomfort and she will feel like  she&rsquo;s on the spot. </li>
      <li>Random statement to disguise  weight of previous sentence &ndash; This is the key to disarming her. Put in  something that is random that distracts her so she can have fun with her reply  whilst still saying yes. </li>
    </ol>
    <p>As an example:<br>
      NICKNAME<br>
      Hey cutie / shorty / rabbit / whatever name you called her<br>
  <br>

      REASON FOR TEXT/ RESPONSE TO THEIR TEXT<br>
      I was thinking / What you doing?<br>
  <br>
      SUGGESTED COURSE OF ACTION/GENUINE QUESTION<br>
      You know we should really hit [that place you spoke about in your interaction]  / Have you ever been to a daytime nightclub? /&nbsp;  I&rsquo;m busy Thursday and Friday but we should grab a drink on Wednesday.<br>
  <br>
      RANDOM STATEMENT TO DISGUISE WEIGHT OF PREVIOUS SENTENCE<br>
      P.s. Do you like Dave Matthews Band? / P.s. what&rsquo;s your view on Marshmallows? /  Ever wondered who would win in a contest between a rabbit and a smurf? / More  importantly, do you have a geeky side?</p>
    <p>The principle is that by reading the last  line of your text (the random/funny/intriguing statement) she&rsquo;ll smile, laugh  or at the least be interested in your text and then reply your text. </p>
    <p>There are many other awesome strategies, techniques and gambits  which can be used for Phone and Text Game. Braddock and I cover them and  provide many real life examples of text exchanges in &lsquo;<a href="http://www.seductiontuition.com/lovesystems-phonegamebook" target="_blank" rel="nofollow"><strong>The Definitive Guide  on Text and Phone Game</strong></a>&rdquo; eBook. It is over 180 pages of the best information  on Text and Phone Game, including live scripts of successful text and phone  seductions and advanced tips and tactics (including how to get her even when  you think that she might flake).</p>
    <p>The book will be released on January 21st,  2010. You can find more information about it by <a href="http://www.seductiontuition.com/lovesystems-phonegamebook" target="_blank"><strong>clicking here</strong></a>. The book will be  released less than 24 hours from now and the first 1,000 buyers will get free  bonuses with their purchase. The bonuses will  include one audio download ($40), the Phone Game Interview Series ($40), and 3  eBooks ($97) on phone and text game! That is over $177 worth of bonuses and  only available for the first 1,000 buyers.</p>
    <a href="http://www.seductiontuition.com/mr-m/"><strong> Mr. M </strong></a>
    <p>Mr. M is a training instructor for <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a>. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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		<title>3 Men Walks Into Austin Bar... </title>
		<link>http://www.seductiontuition.com/nightvision/pua-austin-bar/</link>
		<description><![CDATA[ <p>&quot;Watch this, dude... Bill and I have a fun game we like <br>
to play when we go out&quot; </p>
    <p>&quot;Okay, what's that?&quot;&nbsp; I asked. </p>
    <p>&quot;Basically, we like walking up to random women, usually  when <br>
      there's a group of them, and *INTENTIONALLY* try to get them  to <br>
      make us go away.&quot; </p>
    <p>I laughed </p>
    <p>So then he walks off and starts talking to a group of women, <br>
      obviously saying some of the most messed up stuff they've  ever <br>
      heard by the shear *SHOCK* that was on their faces. </p>
    <p>Needless to say, even though he *TRIED* to get them to make <br>
      him go away, somehow... they became curious and infatuated  with <br>
      him. </p>
    <p>And when I looked at my watch 20 minutes later, he was still <br>
      talking to them, halfway keeping up the charade, halfway  engaging <br>
      them on a deeper level. </p>
    <p>This is how I finally met Christian Hudson when I was in Austin,<br>
      Texas. </p>
    <p>Sure, we've talked before</p>
    <p>... but seeing someone in person walk up to a group of women <br>
      with blistering confidence and calmly but seriously rip off <br>
      the most perverted and cheesy lines you've ever heard *ON<br>
      PURPOSE*... </p>
    <p>... was a sight to see. </p>
    <p>But does this make sense? </p>
    <p>Yes, it does. </p>
    <p>I've often said that it doesn't matter *WHAT* you say that <br>
      counts, it's how you confidently you say it.&nbsp; And this was proof. </p>
    <p>Of course, I had a sneaky feeling that he wasn't going to <br>
      get told to scram, or that the women were going to call  security <br>
      on him.&nbsp; After all,  when you have a system of teaching men how <br>
      to have &quot;Unbreakable Confidence&quot; - you'd assume  that he'd be <br>

      able to deliver in person. </p>
    <p>And he did. </p>
    <p>So here's the deal.&nbsp;  Christian is reopening his breakthrough course<br>
      on confidence and inner game NOW at </p>
    <p>===&gt; <a href="http://www.seductiontuition.com/becomeunbreakablenow" target="_blank" rel="nofollow"><strong>http://www.seductiontuition.com/becomeunbreakablenow</strong></a></p>

    <p>If this is an area of your life that you want to get handled, <br>
      I'd pick it up. And, at the ridiculous rate he's offering it  at,<br>
      all the copies are surely going to be gobbled up very soon,  so<br>
      don't wait. </p>
    <p>Look, I witnessed with my own eyes how powerful this is <br>
      and not only that, Christian is a *GOOD DUDE*. </p>
    <p>Fun, funny, confident, and solid. </p>
    <p>You couldn't ask for a better person to teach you this. <br>
      And you can take that to the bank. </p>
    <p>===&gt; <a href="http://www.seductiontuition.com/becomeunbreakablenow" target="_blank" rel="nofollow"><strong>http://www.seductiontuition.com/becomeunbreakablenow</strong></a></p>
    <p>All the best, </p>
    <p> <a href="http://www.seductiontuition.com/nightvision/"><strong> NightVision </strong></a></p>
    <p>p.s.&nbsp; I haven't had a  chance to look at how many copies of <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; this system are  available, but seriously, he's asking <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; you to trade him  &quot;chump change&quot; for access.&nbsp; A  bargain in my<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; book for sure. <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
==&gt; Go here to claim your copy before they are gone <br>
    <a href="http://www.seductiontuition.com/becomeunbreakablenow" target="_blank" rel="nofollow"><strong>http://www.seductiontuition.com/becomeunbreakablenow</strong></a></p>
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		<title>Surrender To The Moment</title>
		<link>http://www.seductiontuition.com/sinn/pua-surrender-moment/</link>
		<description><![CDATA[<p>By <a href="http://www.seductiontuition.com/sinn/"><strong> Sinn </strong></a></p><p>I've been doing a lot of reading on psychology and spirituality recently and I've developed
an idea that's reduced my approach anxiety by about 90%.</p>
<p>The idea is surrendering to the moment.</p>
<p>I've never really bought into the idea that approach anxiety is hardwired into us. My thinking behind this comes from experience rather than theorizing.</p>
<p>As far as approach anxiety, after you've done about three approaches in a night it's usually gone. I've also met guys like Debonair Dave who don't experience the phenomenon at all. So, I've been actively looking at the reasons behind this anxiety, and it brings us back to surrendering.</p>
<p>To me, approach anxiety has always felt like a fight between wanting to get the girl and wanting to avoid embarrassment (a few years ago) or wanting to avoid doing a lot of work (more recently). So
there were clearly two conflicting drives.</p>
<p>In "The Power of Now" by Eckhart Tolle, the author talks about letting go of both the past and the
future and focusing purely on the present. This simple piece of advice alone reduced my anxiety
considerably. If you truly do let go of the past, you will be unable to think about past failures.
You can't think about your lack of success with women up to this point or all the reasons not to
approach a woman, because none of that is occurring here and now. Here and now you have
nothing but the moment.</p>
<p>In a bar, club, or on the street - or wherever you are - when you do the approach you only
have the present moment. Nothing else matters. Her reaction is in the future, so there is no
reason to worry about it. When you are in the field you need to be hyper-focused on the
present. Don't think. Follow the strongest desire you have.</p>
<p>If you are reading this, then the strongest desire you have is to meet and have sex with new women.
Don't be ashamed of this desire. It's the only desire that keeps us surviving as a species. A lot of
guys hide their desires. A quick caveat here, don't approach a girl and ask her if she wants to
have sex. That's not showing your desires, it's just showing your lack of social intuition. What I'm
saying here is don't hide your desires internally. A vital step in becoming a man is to come to
grips with the dark sides of your desires - mainly your desires to sleep with women, kill, and dominate. These are natural human emotions that have shaped the world. In a way, they are the only desires that actually matter.</p>
<p>The second part of my technique is to surrender to your feelings. Stop fighting them. Accept
that you feel approach anxiety at the same time you feel the desire to approach. Stop trying to
feel more confident, stronger or more prepared. Start focusing on what you want to do right
now. In this moment, when you see that woman, what do you most want to do (that won't land you
in jail)?</p>
<p>All that fighting in your mind, all that clutter, has nothing to do with reality. The present is all
you have and, as it was said so well in Fight Club, "This is your life and it's ending one minute at
a time." You can't do anything to change the past and the opportunity to change the future
occurs in the present.</p>
<p>So, after you have come to the realization that the present is all we have and surrender to the
fight between your emotions, you gain the power to approach almost without fear.</p>
<p>I think the final step to approach anxiety reduction is to let go of your outcome. The outcome is in the future and it's completely unimportant in the present.</p>
<p>Tony Robbins calls acting in the moment "getting out of your head and into your heart." I think
it's more about gaining an element of control over yourself and not letting thinking or "the
mind" get in the way of action. Action is what produces results, not thinking. Thinking without
acting has never produced anything. Even philosophy led to the action of writing which is what
produced the records of these thoughts.</p>
<p>So how do you actually start on the road to getting out of your head and acting?</p>
<p>The first step is to become aware of what you are feeling at any given moment. Reduce the
amount of white noise in your head by shutting off the deductive thought process and focusing
on bodily sensations. What do you feel right now from your head to your toes? Feel that and
then slowly start taking assessment of your mood.</p>
<p>When you can start to identify your mood through feeling, rather than thinking, you are on
your way to being fully present in the moment which allows you to act without filtering.</p>
    <a href="http://www.seductiontuition.com/sinn/"><strong> Sinn </strong></a>
<p>Sinn is one of <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a> top instructors. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a>and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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		<title>Instant Opening Attraction</title>
		<link>http://www.seductiontuition.com/nightvision/pua-instant-attraction/</link>
		<description><![CDATA[   <p>By <a href="http://www.seductiontuition.com/nightvision/"><strong> NightVision </strong></a></p><p>My friend Christian is at it again.&nbsp; We were talking about the last video he put  out (you did catch it, right?&nbsp; over 125  people have commented on it!) and he mentioned that a LOT  of guys wanted to know how to 'instantly create attraction'.&nbsp; So he put a new video together about it:</p>
    <p>===&gt; <a href="http://www.seductiontuition.com/instantattractionvideo" rel="nofollow" target="_blank"><strong>Instant Attraction Video </strong></a></p>
    <p>It's an important topic, because it's really frustrating to  feel like you have to work hard when you approach a woman, just to get her to  talk to you.&nbsp; I mean, tell me if you've  ever been in one of these situations:</p>
    <p>- you don't know what to say to a woman when you see her  across the room</p>
    <p>- you're talking way too much, and she's just looking at you  like &quot;whatever&quot;</p>
    <p>- you run out of things to say and the conversation goes  flat</p>
    <p>I swear that's why about 90% of interactions that *could* be  good don't get off the ground.&nbsp; It's  those first three minutes, just making them flow smoothly and getting her  attracted to you.&nbsp; </p>
    <p>If you thought the implied investment technique from the  last video was cool, then you're going to LOVE Christian's technique for  getting girls instantly attracted, dropping their walls, and playing with you  all in about 3 minutes.</p>
    <p>===&gt; <a href="http://www.seductiontuition.com/instantattractionvideo" rel="nofollow" target="nofollow"><strong>Instant Attraction Video </strong></a></p>
    <p>And hey, if you like it (which I know you will) leave a  comment and tell him I sent you :)&nbsp; A lot  of people are buzzing about Christian's new stuff and I want him to know that  guys who read my site are cool, friendly and badass ;)</p>
    <p>&nbsp;</p>
   <p><a href="http://www.seductiontuition.com/nightvision/"><strong> NightVision </strong></a></p>
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		<title>Difference Between Day and Night Game</title>
		<link>http://www.seductiontuition.com/london-soul/pua-difference-day-night-game/</link>
		<description><![CDATA[ <p>By <a href="http://www.seductiontuition.com/london-soul/"><strong> Soul </strong></a></p><p>I've been meaning to write this post for a while, so apologies for  the delay. Some of the below is a bit detailed and may be a lot to take  in for guys new to Day Game.  Don't worry if it is, just read the newbie note at the bottom, get out there and do a few sets, then come back and     read the full article.</p>
    <p>Some background on me. I've been working on my game for a few years  now (started with  <a href="http://www.seductiontuition.com/david-deangelo/"><strong> David DeAngelo </strong></a> in 2003, but got into Game proper in  2005). I concentrated very much on indirect club game when I started,  but as I grew and developed I discovered a love for Direct Game and Day     Game.</p>
    <p>Where I stand now is that I like doing night game as well, but Day  Game will always be my first love. I have met two of the most  incredible girlfriends that I have loved most in my life through Day  Game, have had countless dates as a result of daytime number closes,  have taken girls home the same day I've met them, and brought a group  of girls I've met during the day back to my place.</p>
    <p>I've stopped using routines and now flow naturally from my heart. I  have enormous respect for routines and I teach my students to use  routines if I think they need them. Ultimately though, I have practiced  so many routines that I now create them on the spot (which in a way is  what being natural is about). I don't do takeaways, I don't disqualify,  I don't neg. I escalate shamelessly, hard and fast, whilst  simultaneously making sure the girl feels as comfortable and safe as  possible.</p>
    <p>Though I meet girls in night game, I enjoy the variety of girls you  can meet in the daytime, the ease with which you can talk to them  (bitch shields are WAY down in the day), and the way you can brighten  up a beautiful woman's day unexpectedly.</p>
    <p>In some ways, Day Game follows the same structure as any other type of game.  But people are always asking me questions about how     things are different.  So here are the main differences and how to get around them:</p>
    <p>&nbsp;&nbsp;&nbsp; 1. Guys generally get more approach anxiety approaching girls in the daytime than they do at night.</p>
    <blockquote>
      <ul>
        <li><em>People always think, "Isn't it weird to approach girls in the day?  Aren't they busy? Aren't they going to tell you to get lost?" The truth  is it's no less weird than approaching people you don't know to talk to  them in a bar. I used to think girls were going to react really badly,  when in fact, they probably react better in the daytime than they do at  night. At night, they expect guys to be drunk and hit on them, but in  the daytime, it happens to them much less often and thus they are  impressed by your confidence and willingness to take risks. Like all  approach anxiety, the only way to overcome this is to man up and go  open them!</em></li>
      </ul>
    </blockquote>
    <p>&nbsp;&nbsp;&nbsp; 2. Direct openers are much more necessary in Day Game than night game.</p>
    <blockquote>
      <ul>
        <li><em>There are a lot of venue considerations in Day Game (see below), but in many situations, particularly in street game, it  can come across as really bizarre to stop a random girl and ask her  opinion on something. In a bar, you could feasibly be having a  conversation with your mates, and want to ask someone nearby their  opinion, but in the daytime it comes across as less congruent. Direct  openers work fantastically well on the street, e.g. "Excuse me, I just  saw you walking past and thought you looked absolutely beautiful! I  know this is really forward of me but I just had to say hello. How are  you?" Direct Openers are also massively important for moving sets.  Contrary to what most people think, it is ridiculously easy to stop  moving sets (most of my sets are girls walking past me), you just need  to be committed enough to your Direct Opener. When you open a moving  set, stop, plant yourself right on the ground where you are and deliver  the opener. Do NOT start moving as they are moving; wait for them to  stop. If they don't stop, it will be creepy to follow them.</em></li>
      </ul>
    </blockquote>
    <p>&nbsp;&nbsp;&nbsp; 3. Day Game involves a greater variety of venues than night game.  These venues are mainly differentiated by the     levels of Social Pressure they involve.</p>
    <blockquote>
      <ul>
        <li><em>You have the streets (my favorite), cafes, bookstores, art  galleries, college campuses, etc. Every venue or situation is slightly  different, so you will need to develop good social calibration so you  don't creep girls out. The biggest factor to be aware of is <strong>Social Pressure</strong>.  The more other people can listen to your interaction with a woman, the  higher the Social Pressure will be, and the more potentially  uncomfortable the girl will feel. In high social pressure situations,  your job is three-fold. First, don't go too Direct, either open  indirectly or tone down your Direct opener (e.g. "That's a lovely  dress, how are you doing?"). Second, have a strong frame of feeling  comfortable in the interaction. The strongest frame always wins: You  feeling comfortable talking to her will make her relax. If you are  nervous, she will start to feel uncomfortable. The truth is, feeling  this comfortable only comes with time and practice. But remember, she  can't see how you feel inside, only how you act on the outside. Third,  make her laugh. If you can tease her or otherwise make her laugh within  the first thirty seconds of the interaction, she will instantly relax -  the interaction is then suddenly a fun bit of banter with a stranger  instead of being accosted by some creepy guy on the subway.</em></li>
      </ul>
    </blockquote>
    <p>&nbsp;&nbsp;&nbsp; 4. Super hot girls are MUCH easier to open in the daytime.</p>
    <blockquote>
      <ul>
        <li><em>You know how the super hot girls get hit on a lot in bars and  clubs? There is one reason why: alcohol. It normally starts happening  after everyone is liquored up. In the sober light of day (and without  all their buddies to back up their testosterone levels), most guys are  completely scared of the uber-hottie walking down the street. They will  gawp at her, but God forbid they summon the stones to go up to her and  say hello. Direct game works really well in the daytime with super  hotties. You'll be surprised at how many of them will turn around to  you and say, "Oh my God, that's so nice of you, no one has ever stopped  me on the street to say that!"</em></li>
      </ul>
    </blockquote>
    <p>&nbsp;&nbsp;&nbsp; 5. You can get into Comfort much more quickly in Day Game than night game.</p>
    <blockquote>
      <ul>
        <li><em>The fact that you have approached her in the daytime already  demonstrates a lot of value; if you went Direct (good on ya!), then  this is even more pronounced. Attraction building should happen in a  matter of minutes. As soon as she's laughing and enjoying the  interaction, stop thinking about attraction and start thinking about  qualifying and building comfort. You'll need to escalate things as part  of this. The easiest way to escalate the interaction on the street is  to ask her which way she is headed, and suggest that you walk with her  for a few minutes to chat. You can add in a, "I don't want to go dress  shopping or anything like that with you though - that would be kinda  gay - so I'll probably head off in a few minutes!" This works exactly  like a false time constraint. You are reducing the pressure in the  situation.</em></li>
      </ul>
    </blockquote>
    <p>&nbsp;&nbsp;&nbsp; 6. Day Game approaches are often less expected by women and can take them by surprise.</p>
    <blockquote>
      <ul>
        <li><em>This is a double-edged sword. On the one hand, as mentioned above  it causes guys to have more anxiety when daytime approaching, and they  sometimes equate the surprise that girls will get with her being  weirded out. On the other hand, because she is surprised, you have just  spiked her emotions and therefore, if you run the interaction well,  this turns into a massive positive for you. Not to mention the fact  that very rarely do guys approach women on the street, so when you do  approach her she will be more impressed and more likely to remember you  positively (and therefore LESS likely to flake than a night game set).  The best way to handle the surprise/shock factor she may experience  (especially if you use a Direct opener) is to acknowledge the  situation, e.g. "I know this is really forward of me... but I was going  to regret it all day if I didn't stop you and say hello," or, "This is  very bold of me, but I thought you looked absolutely stunning, and I  don't believe in letting opportunities pass you by."</em></li>
      </ul>
    </blockquote>
    <p>&nbsp;&nbsp;&nbsp; 7. It is harder to get a Same Day Lay than a Same Night Lay.</p>
    <blockquote>
      <ul>
        <li><em>The reason why this is true is because of logistics, not because of  social conventions (which is what you might have expected). If your  game is good enough, you can bend social conventions to your whim, but  once you get good, the biggest problem you spend most of your time  overcoming is logistics. The fact is, girls will tend to be more busy  and in the middle of doing other things in the daytime, so often you  will only be able to take a phone number, build some comfort, and then  move on. However, this doesn't mean you shouldn't be on the lookout for  Same Day Lays!!! In the ideal situation, you meet the girl and take her  on a series of venue changes that end up back at your place. More  commonly, there will be an "interrupt," where she has to go home to eat  or meet friends, etc. In these cases you can still try to get her to  come out to a party with you that night. Guys, you need to get out of  the mentality that Day Game is just  about taking phone numbers: You are trying to seduce these women, not  just get their digits. Set up the instant date if you can (e.g. take  her for a coffee, then a drink, then a walk, then your place), or  arrange to meet her later that day if you can. As mentioned above  though, this all depends on what else she has got going on that day.  Welcome to the wonderful world of logistical management!</em></li>
      </ul>
    </blockquote>
    <p>&nbsp;&nbsp;&nbsp; 8. You often have less time to demonstrate value to the girl than in night game.</p>
    <blockquote>
      <ul>
        <li><em>Some girls you open will be in a rush to get somewhere, just about  to meet friends, or may not have the time or inclination to talk to a  random (albeit fun and interesting) stranger in the middle of the day.  Because you are not in a bar, chances are she is not going to see you  talking to other people (i.e. no opportunity for social proof). In the  daytime, therefore, you typically have a very small window of  opportunity to make a good first impression: You must present yourself  as well as humanly possible. Leave the house ready to meet women. Wear  nice clothes, style your hair, and wear good shoes (don't wear your  tatty trainers, homeboy). All of these things will encourage her to  respond positively to you when you stop her in the middle of the street.</em></li>
      </ul>
    </blockquote>
    <p>&nbsp;&nbsp;&nbsp; 9. Groups of women seem more difficult to approach even though they really are not.</p>
    <blockquote>
      <ul>
        <li><em>It is not true that you can't run Direct Game on groups of women, and it is not true that you can't open groups of  women in the daytime. Your strategy with a group should be either to  pull all of them to another venue with you (typically again, there will  be an interrupt, but you can invite them somewhere later that night),  or to open the girl you want, build some comfort with the whole group  (so they approve of you and allow you to pick up the girl you want),  and then start escalating with your chosen girl. Escalation in front of  the group might be as simple as taking her number, finding out some  stuff about her and qualifying her a little.</em></li>
      </ul>
    </blockquote>
    <p>This of course is not everything there is to know about Day Game, but I've covered some of the most salient points here that I     think a lot of people miss about this fine art.</p>
    <p>The most important thing guys, is to take action. I have gone out  with so many people who excel in night game, but choke in the daytime.  You need to be willing to take action TODAY, not tomorrow, not the day  after. Procrastination is the world's greatest sin. You will find that  once you force yourself to open a few daytime sets, your skills and  experience in other areas will rapidly transfer across. You must be  willing to burst through that barrier.</p>
    <p><strong>Day Game for Newbies</strong></p>
    <p>Doing Day Game can  be scary at first. Here are a few tasks to ease you into it if you're  having trouble. These tasks are progressively harder, but will  demonstrate to you that people are a lot friendlier and pleasant in the  daytime than you might expect. Rather than complicate it with group  sets at this point, start off with women who are by themselves.</p>
    <ul>
      <li>Ask 5 beautiful women, "Excuse me, do you know what the time is?"</li>
      <li>Ask 5 beautiful women, "Excuse me, do you know where the nearest coffee shop is?"</li>
      <li>Ask 5 beautiful women, "Excuse me, do you know where the nearest  men's fashion store is?" [She replies]. "Oh thanks, I'm trying to get  some new shirts. You're very well dressed, do you have any tips for me?"</li>
      <li>Tell 5 beautiful women, "Excuse, I just saw you walking past and I  thought you were really cute, I had to stop and say hello. How are you?"</li>
    </ul>
    <p>After you've completed these tasks, you are ready to move on to standard transitioning and attraction building etc.</p>
    <p>Good luck fellas!</p>
    <a href="http://www.seductiontuition.com/london-soul/"><strong> Soul </strong></a>
    <p>London Soul is a training instructor for <a href="http://www.seductiontuition.com/lovesystems" target="_blank" rel="nofollow"><strong> Love Systems </strong></a>. Check out their flagship material <a href="http://www.seductiontuition.com/magic-bullets" target="_blank" rel="nofollow"><strong> Magic Bullets </strong></a> and the <a href="http://www.seductiontuition.com/routines-manual" target="_blank" rel="nofollow"><strong> Routines Manual </strong></a>.</p>
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